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Resource Group AV using graphical ...

Marketing changes – new staff and new ideas. You will start to see a lot more poster and pictorial ads about Resource Group AV, based on events that we have produced some recently and some over the last few years.

The idea behind the pictures was decided upon as a way to let prospective clients see the range and scope of projects that Resource Group AV has previously done and what they can do in the future.

This weekend launched the graphic below on Facebook, Twitter and Linkedin. The picture was one of a series taken at Chicago All State Arena, and shows the most moving lights up to that time, with 800 movers over the stage and over the floor area of the arena.

Stephen Brown
Production Director
Tel: 863 701 2010

Resource Group AV call me grphic

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10 point checklist before buying ...

So you are about to invest in a video projector for your venue or room.
Here are 10 key facts to think about before you buy anything.

barco-projector

1. Before you choose any projector, firstly decide what the application and future use is going to be. Decide what it will have to do and what will be shown on it.

2. Where will the screen or screens be placed? Do you want one large screen across the stage, or screens left and right. Is the screen in the middle going to be used for eye candy or imag presentations, while the left right screens are only for camera imag?

3. The next question is what size screen do you need. Obviously the larger the better. But as you go bigger,  you are affecting the decision of question #1. Most of the new screens are based on the 9×16 format commonly called widescreen. However one drawback to this is that if you have a lot of presenters or speakers that are to be shown then you will have a lot of blank real estate space around the presenters.

4. Natural light – How much natural daylight comes into the venue will affect the decision on the brightness or ansi lumens of the projector. How much lumen output you need depends upon; the level of ambient room light in your room, the size of the image and what the quality of the projection screen is.

5. Is there enough space behind the screen for the projector to be hidden from view or will the projector have to be mounted and used from the front? Whenever you are using front projection one of the things to be aware of is the noise of the fans in the projector.

6. What lens will you need? To maintain maximum brightness have the shortest throw lens possible without distortion and obviously one that will allow installation to be easy.

7. If you are planning on multiple projectors; do they all show the same picture or do you need graphics on one screen and imag on another?

8. What cabling will you use from the switcher to the projector? HDMi, DVi, SDi, VGA, Cat 5 wiring?

9. How will you turn the projectors on and off or do you plan to leave them on all the time? Alternatively some projectors allow you to program them so that they turn on and off at certain times per day.

10. Finally go back to #1 and decide whether the projector you are choosing is going to be upgradeable for future uses.

projection quotes by resource group av

 

 

 

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Top 10 tips for great ...

Top 10 tips for great video projection
1 Choose the brightest projector that your budget will allow. There is a big difference between a 2500 ansi SD NTSC table top projector and a 5000 ansi HD-SDi projector, especially if you are showing video or graphics in a well lit room.

2 The size of screen(s) should be proportional to the size of audience and room size you have. A good rule of thumb is an equation of 1/10. If the room is 100ft long divide by 10 and your screen height should be approx 10ft tall. For HD that would be 9x16ft screen and for SD that would be 10.5x14ft screen

3 Check the manufacturers recommendations as to whether the projector needs to be placed level with the bottom of the screen, or whether the projector needs to be in the center of the height of the screen. This helps reduce keystone, having to lens shift too much and helps with focus on the screen edges.

4 What to do when showing graphics…

5 Type of Lenses…

6 Power type…

7 Connections to use…

8 Type of cabling…

9 Cold Stacking…

10 Lamps, lens cleaning, filters…

<- Click logo Top 10 tips for great video projection to read the full list of 10 tips for great video projection.

 

Steve

 

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5 tips on event planning

Planning creative events takes time, preparation and sometimes help from outside people. Creative events are the key words, because everybody knows the basics start with who, what, where, why, when? Fortunately there are people who want to help you succeed and are already waiting to help you.

a. Every venue has its own Event Management Team. Utilize their experience to gain ideas of what is possible in their rooms, what can be flown, weight limits, sizes, have they done “x” before, etc. They see hundreds of shows and events come and go through their properties every year and they will have a good idea of space allocation and seating styles that can work in their rooms.

In a Convention Center over New Year recently one of the Event Managers was able to show our production crew an easy way to run fiber optic cables 350ft underground into the middle of the audience. We had been wondering how do we get the cable there without flying it and then dropping it to the ground, or having to put it in cable ramps. The Event Manager saved both time and money by knowing her facility.

b. Set a realistic budget to spend on the event that includes the ideas you want for the AV. You can not produce a superbowl size event on $60,000 production costs. Develop relationships with AV vendors and ask them their thoughts on costs. If you are in a city with a strong union labor workforce, you need to allocate additional costs of stage hands, loaders, minimum hours, etc.

c. When designing a creative event, meet with your AV supplier and ask for their opinion, thoughts and ideas that they may have. AV companies don’t expect planners to be up-to-date on every piece of gear available, but as industry leaders of technology, we know what equipment is best suited for different events, sizes, performance and can help you put structure to your design.

d. If the client really needs something so different and unusual – hire a set designer who will work with your budget to design a showcase event for you with all the elements of audio, lighting and video. (From my experience they hate the logistics of event planning and only want to be designers) They can draw layouts and specify equipment in conjunction with production management, LD’s, video directors and Audio engineers.

e. If you like a particular AV vendor ask them about traveling to your next event and what costs are involved to do that. Most AV companies travel and after working with you on a couple of events get to know what you are looking for, before you ask. I work with numerous clients that use our company from coast to coast, because they like our service, design and we have a track record of producing successful events even when the parameters of the event change dramatically. Like when a client double booked a show back to back with a national rock concert that took an extra 8 hours longer to unload and we had to load in through the night. The event the next day was seamless and the audience never knew there had been a problem.

Steve Brown Production Director @ Resource Group AV.

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Analog Way NeXtage 16

Analog Way NeXtage 16 Seamless SwitcherIts not every switcher that comes along that gets me excited but Analog Way’s new NeXtage 16 is one presentation switcher that does.
The NeXtage 16 is Analog Way’s latest high end seamless presentation switcher. Developed from their LiveCoreTM platform with a new generation high end AV processor to offer a professional seamless switcher. Equipped with 16 scalers, 8 seamless inputs, and 2 main outputs with either 3GHD-SDi, DVi-D, fiber out or universal analog. The options are almost limitless.

Its 28 inputs are laid out as 4 HDMI, 6 DVi-D, 2 Displayport, 8 3GHD-SDi and 8 universal analog, with each output having 4 independent seamless layers, plus a native background layer that allows the operator to soft edge blend, or use on separate screens.

The newly developed LiveCoreTM platform delivers true seamless switching with powerful live processing, user friendliness and ease of operation.

See attached brochure NeXtage 16

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