Archive for March, 2013

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5 tips on event planning

Planning creative events takes time, preparation and sometimes help from outside people. Creative events are the key words, because everybody knows the basics start with who, what, where, why, when? Fortunately there are people who want to help you succeed and are already waiting to help you.

a. Every venue has its own Event Management Team. Utilize their experience to gain ideas of what is possible in their rooms, what can be flown, weight limits, sizes, have they done “x” before, etc. They see hundreds of shows and events come and go through their properties every year and they will have a good idea of space allocation and seating styles that can work in their rooms.

In a Convention Center over New Year recently one of the Event Managers was able to show our production crew an easy way to run fiber optic cables 350ft underground into the middle of the audience. We had been wondering how do we get the cable there without flying it and then dropping it to the ground, or having to put it in cable ramps. The Event Manager saved both time and money by knowing her facility.

b. Set a realistic budget to spend on the event that includes the ideas you want for the AV. You can not produce a superbowl size event on $60,000 production costs. Develop relationships with AV vendors and ask them their thoughts on costs. If you are in a city with a strong union labor workforce, you need to allocate additional costs of stage hands, loaders, minimum hours, etc.

c. When designing a creative event, meet with your AV supplier and ask for their opinion, thoughts and ideas that they may have. AV companies don’t expect planners to be up-to-date on every piece of gear available, but as industry leaders of technology, we know what equipment is best suited for different events, sizes, performance and can help you put structure to your design.

d. If the client really needs something so different and unusual – hire a set designer who will work with your budget to design a showcase event for you with all the elements of audio, lighting and video. (From my experience they hate the logistics of event planning and only want to be designers) They can draw layouts and specify equipment in conjunction with production management, LD’s, video directors and Audio engineers.

e. If you like a particular AV vendor ask them about traveling to your next event and what costs are involved to do that. Most AV companies travel and after working with you on a couple of events get to know what you are looking for, before you ask. I work with numerous clients that use our company from coast to coast, because they like our service, design and we have a track record of producing successful events even when the parameters of the event change dramatically. Like when a client double booked a show back to back with a national rock concert that took an extra 8 hours longer to unload and we had to load in through the night. The event the next day was seamless and the audience never knew there had been a problem.

Steve Brown Production Director @ Resource Group AV.

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Analog Way NeXtage 16

Analog Way NeXtage 16 Seamless SwitcherIts not every switcher that comes along that gets me excited but Analog Way’s new NeXtage 16 is one presentation switcher that does.
The NeXtage 16 is Analog Way’s latest high end seamless presentation switcher. Developed from their LiveCoreTM platform with a new generation high end AV processor to offer a professional seamless switcher. Equipped with 16 scalers, 8 seamless inputs, and 2 main outputs with either 3GHD-SDi, DVi-D, fiber out or universal analog. The options are almost limitless.

Its 28 inputs are laid out as 4 HDMI, 6 DVi-D, 2 Displayport, 8 3GHD-SDi and 8 universal analog, with each output having 4 independent seamless layers, plus a native background layer that allows the operator to soft edge blend, or use on separate screens.

The newly developed LiveCoreTM platform delivers true seamless switching with powerful live processing, user friendliness and ease of operation.

See attached brochure NeXtage 16

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Using Wifi in Production

Wifi_web_20_stickerMost people have become used to going to Hotels and having wifi available in their rooms, in the lobby, restaurants, etc., and share videos, games to their friends.
But in the meeting space area’s in hotels, this is something that the hotel locks down and there is usually a charge for. So if you have a presenter as I had recently that decided last-minute that they wanted to show an excerpt from YouTube as part of their presentation, they were unable to do it over wifi.
However, we always test presenters computers that they insist on using with our systems, so we had a little warning and they were able to use software to pull the video onto their hard drive and then play back the excerpt of the drive.

Planning ahead and always asking both the client and presenters their needs including presenters needs for playback, stops last-minute panics and having to jump through hoops to make the presentation work.

Always ask the hotel what their policy is for wifi in meeting space and especially ballroom where you may want to have enough bandwidth available for people to sign on and use live twitter and Facebook posts.

 

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Mercedes Benz Fashion Show

Mercedes Benz Fashion Show, NY.

I love this MBFS video with DL1961. Just for a few minutes look at the setting, the openness of the runway for the dancers and the models, the unobtrusive audio, two video cameras and an assortment of ground supported lighting to see how the designer transforms a simple building into a fashion show.

Sometimes its not the cost of the design that makes the event work, it is the uniqueness of the venue. This video so reminds me of the years I spent doing fashion shows in Europe in dealerships for Audio, Citroen and Renault where we would do exactly this – transform the dealership into a state of the art fashion show.

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Barco launches new 4k digital ...

Barco DP4K-P postproduction projector

Barco 4K projector

Barco has launched the world’s first 4k projector solely with the post production market in mind. Called the DP4K-P, it has a dedicated 4k input board with 4 x 3Gb/s inputs allowing playback in native 4K, combined with a new color filter to accurately match colors to any color gamut.

A unique feature of this projector is the revamped dedicated Communicator software, allowing greater control for color correction for an individuals eye for 3D content. With a new interface and menu structure, this should allow operators to navigate all the functionality of the settings and reducing the need for additional training.

“To achieve best-in-class performance for postproduction, we have equipped our DP4K-P with purpose-designed components such as a 4K input board and a high-contrast lens,” comments Goran Stojmenovik, Product Manager at Barco.

Free webinar demo

Barco is hosting free demos of the new dedicated Communicator software on Tuesday March 19th 2013.

Register for the webinar at 08:00 GMT / 09:00 CET / 16:00 CST
Register for the webinar at 08:30 PDT / 11:30 EDT

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